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Murudeshwara Temple

About Murudeshwara Temple

Murudeshwara is a town in Bhatkal Taluk of Uttara Kannada district in the state of Karnataka, India. Murudeshwara is another name of the Hindu god Shiva. Famous for the world's second-tallest Shiva statue, the town lies on the coast of the Arabian Sea and is also famous for the Murudeshwar Temple. Murudeshwar has railway station on Konkan railway route.

Etymology and legend

The origin of the name "Murudeshwar" dates to the time of Ramayana.

The Hindu gods attained immortality and invincibility by worshiping a divine Lingam called the Atma-Linga. The Lanka King Ravana wanted to attain immortality by obtaining the Atma-Linga (Soul of Shiva). Since the Atma-Linga belonged to Lord Shiva, Ravana worshipped Shiva with devotion. Pleased by his prayers, Lord Shiva appeared before him and asked him what he wanted. By this time Narada had asked Lord Vishnu to change Ravana's mind. As a result of this plot, Ravana asks for Goddess Parvati, and Lord Shiva offers her to him. On his way back to Lanka Narada tells Ravana that Lord had not given him the real Parvathi and that the real Parvathi was in Pathala. So Ravana frees his companion,goes to Pathala and marries a king's daughter, assuming her to be the real Parvathi. He then returns to Lanka, where his mother asks him for the Linga. Ravana then comes to know of the tricks played on him by Lord Vishnu. He therefore prays to Lord Shiva again, begging for his forgiveness. Lord Shiva appears and this time, Ravana requests the AtmaLinga as his boon. Lord Shiva agrees to give him the boon with the condition that it should never be placed on the ground. If the AtmaLinga was ever placed on the ground, all the powers would return to Lord Shiva again. Having obtained his boon, Ravana started back on his journey to Lanka.

Sage Narada, who came to know of this incident, realised that with the AtmaLinga, Ravana may obtain immortality and create havoc on earth. He approached the Lord Ganesh and requested him to prevent the AtmaLinga from reaching Lanka. Lord Ganesh knew that Ravana was a very devoted person who used to perform prayer ritual in the evening every day without fail. He decided to make use of this fact and came up with a plan to confiscate the AtmaLinga from Ravana.

As Ravana was nearing Gokarna, Lord Vishnu blotted out the sun to give the appearance of dusk. Ravana now had to perform his evening rituals but was worried because with the AtmaLinga in his hands, he would not be able to do his rituals. At this time, Lord Ganesh in the disguise of a Brahmin boy accosted him. Ravana requested him to hold the AtmaLinga until he performed his rituals, and asked him not to place it on the ground. Ganesh struck a deal with him saying that he would call Ravana thrice, and if Ravana did not return within that time, he would place the AtmaLinga on the ground.

As predicted, before Ravana could return after completing his rituals, Ganesh had already placed the AtmaLinga on the ground. Vishnu then removed his illusion and it was daylight again. Ravana, realising that he had been tricked, tried to uproot and destroy it. Due to the force exerted by Ravana, some pieces were scattered. One such piece from the head of the linga is said to have fallen in present day Surathkal. The famous Sadashiva temple is said to be built around that piece of linga. Then he decided to destroy the covering of the AtmaLinga, and threw the case covering it to a place called Sajjeshwara, 23 miles away. Then he threw the lid of the case to a place called Guneshwara (now Gunavanthe) and Dhareshwara, 10–12 miles away. Finally, he threw the cloth covering the AtmaLinga to a place called Mrideshwara in Kanduka-Giri (Kanduka Hill). Mrideshwara has been renamed to Murudeshwar. There is a depiction of this story below the Shiva idol in the form of a cave.

About Mundkur Temple

Mundkur is a village in Karkala Taluk, Udupi district Karnataka, India. The Durga Parameshwari temple located here is more than 1300 years old.

History of Sri Kshethra Mundkur

Mundkur Maagane contains the three villages of Mundkur, Mulladka and Inna; with its border till Elluru in the North, sankalkareya in the South, Bola in the East and Ulepady in the West. There are Mahalingeshwara Temples in the Four corners of Sri Durgaparameshwari Temple of Mundkur( South East: Posral; South West: Ulepady; North West: Inna Muddannu; North East: Bola Mahalingeshwara temples) which were constructed centuries later. As per available ancient records, in Shaka varsha 1337, (Hevilambi Samvatsara) King Narasimha Banga Raja (Bangas) transferred the administration of MUNDKUR Magane to Chowta Rulers. Mundkur was the Central governing point for any administration, Panchayath(Settlement of disputes), and Discussion venue for these three villages which continues even today. Any function in the three villages were banned between Dwajarohana and Avabritha(Jalaka) in Mundkur Sri Durgaparameshwari Temple, which is observed even today.

Legend has it that Goddess Durga Parameshwari slayed the demon Mundaka here as per Skaanda Puraana and place was named as MUNDAKOORU which became MUNDKUR in later days. The idol was initially installed facing West by Bhargava Rishi as per the request of Suratha Raaja after the prathistha of Sri Raajarajeshwari in Pulinapura,now known as POLALI, before 800 AD. Famous Researcher, Dr.P. Gururaja Bhat has done lot of innovative researches about various temples and estimated the age of the Mahishamardini idol of Mundkur as belonging to early 8th century,the oldest temple in the three villages of Inna, Mundkur, Mulladka, Kadandale, Bola, Ulepaady, Yelinje and other nearby villages, with Royal connections of Banga and Chouta Rulers . During the reconstruction of the temple in 2005/06, the original door frames in western portion of the wall of the Sanctum Sanctorium was found which has been preserved in the temple premises. Kere/ Pushkarni is there in the west even today known as Sri Bhargava Theertha)and Ashwatha Vriksha in the north west. During the Jain rule, King Veeravarma, who was considered as a bad ruler, turned the idol towards east to take out buried riches from underneath the idol. Since then, the idol is facing East.

Mundkur Durga is Kuladevi for the Brahmin community of Bhargava Gothra and most of the devotees from GSB, Bunts, Billavaas, Kulaals, Devadigaas and other devotees worship as Mane Devi(Goddess of their original House)and the priests are belonging to Bharadwaja Gothra from the ancient time in Mundkur,Yelinje,Ulepady and Inna. Christians and Muslims worship with flowers and poojas which can be seen even today. Jainpete, ruins of Jain Basadi and palace, Kalkuda and Jattinga Daivaas (Worshiped by the then Jains) can be seen here and Jain community is not living, which is said to be due to the curse of Devi to the bad attitude of earlier Jains and their cruel Ruler Veeravarma who turned the idol from west to east. Jain devotees visit and seek the blessings in different occasions; but, there is no resident Jain family found here. As per Paad-dana(Ancient Tulu Folk Songs) Kanthabaare and Boodabare, Great Heroes of South Kanara District,born in Ulepaady village; were devotees of Mundkur Durga and due to the bad attitude and character of Veeravarma and his followers, they killed him and his bad company. Due to No-Governance, Moodabidre Chowta Rulers have interfiered and reformation took place by them. The administration of the temple was handed over to Brahmins of eight families belonging to Bhargava Gothra,headed by Madmannaya family as Pavithrapaani and Eight Guththus, Four Paraaris, Four Baalikes as supporters on behalf of villagers of Inna, Mundkur, and Mulladka. As a token of love and respect the Chowta King donated lots of land, two Wooden pillars of the single Jack fruit tree, said to be from the Chouta Palace yard (The Biggest and bulky in the District, which can be seen even today)and several precious wooden Logs…. etc. for the temple and the Chowta Queen has donated her precious stone studded ornaments to Durga Devi, which is used for decorating the Main idol in the temple during festivals and special occasions. The Chowta Rulers were visiting the temple during annual car festival under the personal invitation from the Chief of Madmannaya family. The King and his Team used to relax at Sacheriparari, a place in the village border of Mundkur (Stone Cot on which Chowta ruler is said to be using to relax can be seen here even today) and was being received by the villagers at Jarige Katte. The Chowta King used to participate in the final day’s Chendu-aata(Foot Ball Match) of the young villagers followed by Arasara Katte Pooje and Keredeepotsava. From the year 1855AD, visit of Chowta rulers was stopped due to the misunderstanding amongst the villagers and Chief of Madmannaya family and Madmannayas stopped visiting and inviting the Chowta. Even today the Arasara Kattepooje, Keredeepotsav is being celebrated and that day is called as Arasara Bali Utsava day.

Deities

The prime deity is Sri Durgaparameshwari in the form of Mahishamardini, holding the demon Mahisha upside down and piercing thrishul on his body. Hence the name Mundakke oori nintha OOru became Mundkur in the later stage as per one version. Other deities being worshiped are Sri MahaGanapathi (Kshipraprasaada swaroopi), Navagraha, Naaga, AshwaththaVriksha, Dhoomavathi, Raktheshwari, Vyaghra Chamundi(Pilichandi), Vaarahi (Panjurli) and Rakshopi Devatha (Protector from evil Spirits)in the temple. Photos of Sri Madhvacharya, Sri Vadiraja swamiji, Sri Raghavendra Swamiji, and Sri Bhootharaja are installed in Sri Madhva Mandira, where bhajans and poojas are held regularly.Acharya, Jayarama (2004), Bhargavi Smriti, Bhargava Press.

Sri Vitoba Rukumayi Temple in Mundkur: In this temple trikal pooja is performed followed by Bhajan keerthans daily during night by the devotees. This temple is built and managed by GSB Community. The founder of this temple was Posral Lakshmana Kamath and his family.

Festivals

The annual Car-festival happens in the kumbha masa every year which is on Feb 17th or 18th. Navaratri, Deepotsava are other special days for the goddess. Jalaka (dipping in river shambhavi) takes place on the next day of the car festival. Punarprathista Day falls on February 2 and 5 February Brahmakalashaabhisheka Day.

In Karthika Masa, Nagara Sankeerthane is performed throughout the month followed by Deepotsava on krishna thriyodashi, Chathurdashi and Laksha Deepothsava on Karthika Amavasya.

Madhva Navami, Sri Raghavendra Swami Aradhana, Sri Vadiraja Swami Punya thithi is celebrated through bhajans and Pooja. On Ganesh Chathurthi day Saarvajanik Ganesha Idol is worshipped and on the fifth day evening after mosaru Kudike (Fancy Dress) with procession immersed in River Shambhavi in Sankalkariya border of Mundkur village and Udupi District (near Doddamane). During Navarathri Nine types of Durga Alankaara is done to the Main idol, which is Rare in Karnataka. On Moola Nakshatra Day Sri Sharada idol is worshipped and after Sri Chandika Havan on Vijayadashamiday, immersed in Kurkilbettu Brahmasthana gundi. The processions are very attractive and thousands of devotees participate on both the occasions. Saura Yugaadi, Panchanga Shravana, Upakarma, Deepaavali, Dhanya Lakmi pooja/Navanna Bhojana, Balindra Pooja, Paththenaaja are being celebrated in the temple.

About Mookambika Temple

The Mookambika Devi Temple at Kollur, Udupi District in the state of Karnataka, India, is a Hindu temple dedicated to Mookambika Devi. There are bus services from Udupi and Mangalooru to Kolluru at regular interval.

History

The legend says that a local demon Kaumasura was living on the site and kept the population of surrounding areas in terror. It was predicted that the demon will be killed by a woman, and, indeed, it was killed by Parvati Devi, after which people startet to bring offerings to her to the site. In the particular context of the fight with the demon, Parvati Devi is known as Mookambika Devi. The establishment of the temple is attributed to Parameshwara, who has drawn a chakra with his toe.

Historically, the temple is at least 1200 years old and it was mentioned in conjunction with the king Halugallu Veera Sangayya who installed an idol there. Yet another legend says that Adi shankara once worshipped goddess Saraswati in order to bring her to Kerala, where none of her temples existed.When Devi answered his prayers, he told his wish to bring her to kerala. She agreed to come, but only in one condition - that when he was going she would follow him and if he stops and looks backs,she will stay there itself and not continue.Adi shankaracharya readily agreed.So they started walking down from Kodachadri hills.While walking he could always hear her anklets,so he knew that she was with him.Suddenly,the sound stopped.Adi shankara looked back in intense doubt.When he saw she was still with him, Adi shankara apologized, knowing that he had broken her condition.Devi said from now on she will bless her devotees here, in Mookambika.But he was determined to take her to Kerala.Onseeing his determination she said "Fine then.In the morning, from 4 to 5 I will reside in Chottanikkara temple and bless my devotees"."Then I will return to Mookambika".Even now the temple opens only around 5 'o' clock which, is a little later than normal temples.

About Dwarkadhish

he Dwarkadhish temple, also known as the Jagat Mandir and occasionally spelled "Dwarakadheesh", is a Hindu temple dedicated to Lord Krishna, who is worshipped here by the name Dwarkadhish, or 'King of Dwarka'. The main shrine of the 5-storied building, supported by 72 pillars, is known as Jagat Mandir or Nija Mandir, archaeological findings suggest it to be 2,200 - 2,000 years old. Temple was enlarged in the 15th- 16th century. The Dwarkadhish Temple is a Pushtimarg temple, hence it follows the guidelines and rituals created by Shree Vallabhacharya and Shree Vitheleshnathji.

According to tradition, the original temple was believed to have been built by Krishna's grandson, Vajranabha, over the hari-griha (Lord Krishna's residential place). The temple became part of the Char Dham pilgrimage considered sacred by Hindus in India, after Adi Shankaracharya, the 8th century reformer and philosopher, visited the shrine. The other three being comprising Rameswaram, Badrinath and Puri. Even today a memorial within the temple is dedicated to his visit. Dwarakadheesh is the 108th Divya Desam of Lord Vishnu on the subcontinent, glorified in the Divya Prabandha sacred texts.

History

The town of Dwarka in Gujarat has a history that dates back centuries, and mentioned in the Mahabharat epic as the Dwaraka Kingdom. Situated on the banks of river Gomti, the town is known of being the capital of Lord Krishna. Archaeological excavations have uncovered underwater stone structures which have been described as showing settlement during proto-historic times. Evidence such as a stone block with script, the way the stones were dressed showing that dowels had been used, and an examination of anchors found on the site suggest that the harbour site dates only to historical times, with some of the underwater structure being late Medieval. Coastal erosion was probably the cause of the destruction of what was an ancient port.

About Swaminarayan Mandir

Shri Swaminarayan Temple, Ahmedabad is the first temple of the Swaminarayan Sampraday, a Hindu sect. It is located in Kalupur area of Ahmedabad, the largest city in Gujarat, India. It was built on the instructions of Swaminarayan, the founder of the sect.

As per the will of Swaminarayan, the administration of the Swaminarayan Sampraday is divided into two Gadis (seats) - NarNarayan Dev Gadi and LaxmiNarayan Dev Gadi. This temple is the headquarters of the NarNarayan Dev Gadi. Green and yellow sculptures of Hindu gods and goddesses, their bodies fitted in opulent dress, cover the structure of this nineteenth-century temple.

With its architecture based on Burma teak wood, every coloured arch and bracket is a bright different shade, something that stands out in most Swaminarayan temples. According to Anjali Desai, author of India Guide Gujarat, the temple resembles a fairytale with all its colours and opulent carvings that profusely embellish every wooden bracket, column and arch. The temple attracts a million people on the day after Diwali. The temple has a multi-story guesthouse that is air conditioned and has a fully equipped medical clinic within its compound.

History

The land for construction of this first shrine of Swaminarayan Sampraday, was given by the British Imperial Government in India to Swaminarayan. The task of constructing this temple was entrusted personally by Swaminarayan to Ananandanand Swami (a paramhansa of the sect). The installation ceremony of the murti (images) in the temple was celebrated in the presence about 50,000 of pilgrims representing many parts of India.

Relations with the British Government

A British officer, Sir Dunlop was so impressed with activities of Swaminarayan and his followers, that on behalf of the government he gave 5,000 acres (20 km2) of land in Kalupur area of Ahmedabad to build this temple. When the temple was completed, the officer was so impressed by the temple that he commanded a 101 gun salute to the temple.

When the British government wanted to build a railway station in Kalupur, the temple returned part of the land, where Kalupur Railway Station stands today. The government compensated the temple by granting it 1,000 acres (4.0 km2) of land in the Narayannagar village. Although the temple had very good relations with the British government, part of the wooden carvings in the temple depict the 1857 uprising, which is often referred to as India's first war of Independence.

Architecture

Central Gateway

The central gateway of the temple is artistic. It blends local, regional and British styles of architecture and sculpture. Marathi and Rajasthani folk cultures and costumes are evident on the gateway sculptors. The columns are engraved with vertical lining in Corinthian order. The top of the projected pavilions are ruminants of Mughal architecture. Statues of the women wearing frilled blouses and petticoats, carrying their kids on their waist depict the Gujarati women.

Nar Narayan Temple

This is the heart of the temple complex. The temple was constructed as per scriptural norms with intricate carving in pure Burma-teak and constructed with sculptural art by depicting deities' episodes, auspicious symbols and religious icons representing axiomatic religion and Indian culture. The temple is believed to be a valuable cultural heritage in the socio-religious history of Gujarat and India. The images in this temple are of Narnarayan Dev in the centre, Radhakrishna Dev on the right, Dharmadev, BhaktiMata and Harikrishna on the left of the central hall. The images were made in Dungarpur and stone came from quarries in Himmatnagar and Dhrangadhra. The temple is also known for the attractive dresses that drape the deities. Dresses for the central Narnarayan as well as RadhaKrishna images are changed seven times a day and are never repeated.

Akshar Bhavan

Besides the gods in the main temple, an idol in the form of a child, Ghanshyam Maharaj in white marble has been installed on the ground floor. Personal items of Swaminarayan have been displayed for viewing by the visitors on the ground as well as first floor. The southern side of this building is known as Shree Tejendra Bhuvan and houses visiting pilgrims.

Rang Mahol

An idol of Ghanshyam Maharaj has been installed in a place called the Rang Mahol in the temple where Swaminarayan stayed during his visits to Ahmedabad. A wood carved life-size idol of Swaminarayan in standing sambhang position, was installed here fifty years after the construction of the temple. It is one of the finest specimens of wooden art sculpting in Gujarat.

Temple for women (West)

The Haveli (Mansion) to the west of the temple used to be the official residence of Acharya of the Narnarayan Dev Gadi. Now, the ground floor of the front side, houses the offices and the inner portion accommodates the residency of the Samkhya Yogi women (ladies who have taken celibacy vows and devoted their life to the temple). In the inner temple, the Gadiwalla (the Acharya Maharajshri's wife & spiritual leader of the women in the Swaminarayan Sampraday) holds religious assemblies solely for the benefit of the women. An idol of Ghanshyam Maharaj has been installed in this temple and is served by the Sankhya Yogi women devotees.

This mansion is decorated with chandeliers, suspended lamps and large mirrors as it was supposed to be the residence of the Acharya. The brackets of the pillars in the portico as well as arches have been adorned with carvings in geometrical designs and a variety of flower and creeper motifs.

About Ambaji Temple

Ambaji is a census town in Banaskantha district in the state of Gujarat, India. It is known for its historical and mythological connections with sites of cultural heritage.

About Ambaji Town

Ambaji is a town within taluka Danta of District Banaskantha, North Gujarat.India.The Pin code of Ambaji town is 385110. It is known for its historical and mythological connections.

Ambaji town is known for possessing mines which produce fine quality marble and granite.

About the Temple

Ambaji is an important temple town with millions of devotees visiting the Ambaji temple every year. It is one of the 51 Shakti Peethas. Ambaji mata temple is a major Shakti Peeth of India. It is situated at a distance of approximately 65 kilometres from Palanpur, 45 kilometres from Mount Abu and 20 kilometres from Abu Road and 185 kilometres from Ahmedabad 50 kilometer from Kadiyadra near the Gujarat and Rajasthan border.

In the holy temple of "Arasuri Ambaji", there is no image or statue of goddess the holy "Shree Visa Yantra" is worshiped as the main deity. No one can see the Yantra with naked eye. The photography of the Yantra is prohibited.

The original seat of Ambaji mata is on gabbar hilltop in the town. A large number of devotees visit the temple every year specially on Purnima days. A large mela on Bhadarvi poornima (full moon day) is held. Every Year from all over the country people come here walking all over from their native place just to worship MAA AMBE in September.The whole Ambaji is lighted up as the whole nation lights up at the festive time of Diwali.

Gabber Hill

Just 5 km away from Ambaji Temple, The famous mountain of Gabbar is situated on the border of States of Gujarat and Rajasthan, near the flow of the origin of the famous Vedic virgin Saraswati river, on the hills of Arasur in forest, towards south-west side to ancient hills of Arawali, at the altitude of about 480 meters, at about 1600 feet high from sea level, having at 8.33 km2 (5 sq. miles area ) area as a whole, and it is in fact One of the Fifty One (51) famous Ancient Pauranik Shakti Piths. The Centre of Cosmic Power of India and it is the original holy place of Mata Ambaji, where the piece of the heart of the dead body of Devi Sati fell at the top of this holy hill of Gabbar as per the legend narrated in the "Tantra Chudamani".

The Ambaji Mata Temple as a Shakti Peeth

The shrine of Amba is regarded as a revered shrine by the Shakta Shaktism sect of Hinduism. It is believed that the Heart of Sati Devi has fallen here. The origin of the Shakti Peetha status temple is from the mythology of Daksha yaga and Sati's self immolation. Shakti Peethas were believed to have been formed when the body parts of the corpse of Sati Devi fell into different regions when Lord Shiva carried her corpse in sorrow after her death. The shrines are considered as highly revered by Shaivist (Shaivism) sect in Hinduism. The Shakti Peethas are mostly worshiped by tantra practitioners. Each Shakti Peetha has a Kalabhairava shrine associated with it the Kalabhairava of The Amba Matha Temple is Batuk Bhairav.

Mythical History

Ambaji is one of the 51 ancient Shakti Peetha Tirth in India. There are 12 main Shakti Pith Tirth, significant places of pilgrimage for the worship of Shakti, namely, Ma Bhagwati Mahakali Maha Shakti at Ujjain, Ma Kamakshi at Kanchipuram, Mata Bramaramba at Srisailam, Shri Kumarika at Kanyakumari, Mataji Ambaji at AnarGujarat, Mata Mahalaxmidevi at Kolhapur, Devi Lalita at Prayag, Vindhya Vasini at Vindhya, Vishalakshi at Varanasi, Mangalavati at Gaya and Sundari at Bangal & Guhyeshwari Temple in Nepal.

There is no idol or picture in the temple but a simple cave like Gokh in the inner wall, in which A Gold Plated Holy Shakti Visa Shree Yantra having kurma back convex shape and 51 Bij letters therein, connected with that of the original Yantras of Nepal and Ujjain Shakti Piths, is also ritually installed in such a way it can be visible for devotion, but never photographed in past nor can be so done in future. The worship of this Visa Shree Yantra is done only after tying a bandage on the eyes.

Gabbar hill is situated on the border of Gujarat and Rajasthan, near the flow of the origin of the famous Vedic virgin river Sarasvati, on the hills of Arasur in forest, towards south-west side to ancient hills of Arawali, at the altitude of about 480 meters, at about 1,600 feet (490 m) high from sea level, having at 8.33 km2 (3.22 sq mi) area as a whole, and it is in fact One of the 51 famous Ancient Shakti Peeths and it is place of where the heart of the dead Devi Sati fell at the top of hill of Gabbar as per the legend narrated in the "Tantra Chudamani". The Mountain or Hill of Gabbar has also a small temple fortified from the western side and there are 999 steps to go up to the mountain and reach this holy temple at the top of Gabbar Hill. A Holy Lamp is constantly burning on this hill temple facing exactly in front of Visa Shree Yantra of Nij Mandir of Mata Shri Arasuri Ambica. There are many more beautiful sightseeing Places on Gabbar together with a sunset point, Cave and Swings of Mataji and Trips through a ropeway. As per recent study Ambaji Temple was constructed by the Suriyavans Emperor Arun Sen, the ruler of Vallabhi in 4th Century A.D.

About Mahadev Temple

Mahadev Temple, Tambdi Surla is a 12th-century Shaivite temple of the Lord Mahadeva and an active place of Hindu worship. It is notable as the oldest temple in Goa, India.

History

The temple was built by Hemadri, the minister of the Yadava King Ramachandra. The Jain style construction has led to debates about the origins of the temple, since the Kadamba Dynasty ruled Goa between the tenth and fourteenth centuries. The temple is built in the Hemadpanthi style from basalt, carried across the mountains from the Deccan plateau and carved craftsmen. It is considered to be the only specimen of Kadamba-Yadava architecture in basalt stone preserved and available in Goa. The temple survived invasions and the Goa Inquisition due to its remote location in a clearing deep in the forest at the foot of the Western Ghats which surround the site.

Religious significance and decoration

The temple is dedicated to Lord Shiva and is reminiscent of the temples at Aihole in neighbouring Karnataka. There is a linga (symbol of Lord Shiva) mounted on a pedestal inside the inner sanctum, and local legend has it that a huge king cobra is in permanent residence in the dimly lit interior.

The temple consists of garbhagriha, antarala and a pillared Nandi mandapa built of basalt. The four pillars, embellished with intricate carvings of elephants and chains support a stone ceiling decorated with finely carved Ashtoken lotus flowers.

The intricate carvings created by skilled craftsmen adorn the interior and the sides of the building. Bas-relief figures of Lord Shiva, Lord Vishnu and Lord Brahma, with their respective consorts appear on panels at the sides of the temple. Unusually, the mandap (pillared hall) is covered with a roof of plain grey sloping slabs. The temple faces east so that the first rays of the rising sun shine on the deity. There is a small mandap and the inner sanctum is surmounted by a three-tired tower whose top is incomplete or has been dismantled sometime in the distant past.

There is a headless Nandi (bull, Shiva's vehicle) in the centre of the mandap, surrounded by four matching columns. The symbol of the Kadamba kingdom, an elephant trampling a horse is carved on the base of one of the columns. The river Surla flows nearby and is reachable for ritual bathing by a flight of stone steps.

The festival of Mahashivratri is celebrated with pomp and gaiety at the temple by local people residing in surrounding villages. The temple is built in a place which is quite inaccessible and away from the main settlements of the time. The temple is small compared to the average Goan temple.

About Laxminarayan

The Laxminarayan Temple is a Hindu temple dedicated to Laxminarayan in Delhi, India. Laxminarayan usually refers to Vishnu, Preserver in the Trimurti, also known as Narayan, when he is with his consort Lakshmi. The temple, inaugurated by Mahatma Gandhi, was made built by B. R. Birla and Jugal Kishore Birla from 1933 and 1939. The side temples are dedicated to Shiva, Krishna and Buddha.

The temple spread over 7.5 acres, is adorned with many shrines, fountains, and a large garden, and also houses Geeta Bhawan for discources. The temple is one of the major attractions of Delhi and attracts thousands of devotees on the Hindu festivals of Janmashtami and Diwali.

History

The construction of temple dedicated to Laxmi Narayana started in 1933, built by industrialist and philanthropist, Baldeo Das Birla and his son Jugal Kishore Birla of Birla family, thus, the temple is also known as Birla Temple. The foundation stone of temple was laid by Maharaj Udaybhanu Singh. The temple was built under guidance of Pandit Vishwanath Shastri. The concluding ceremony and Yagna was performed by Swami Keshwa Nandji. The famous temple is accredited to have been inaugurated by Mahatma Gandhi in 1939. At that time, Mahatma Gandhi kept a condition that the temple would not be restricted to the Hindus and people from every caste would be allowed inside.

Architecture

The three-storied temple is built in the northern or Nagara style of Hindu temple architecture. The entire temple is adorned with carvings depicting the scenes from Hindu mythology. More than hundred skilled artisans from Benares, headed by Acharya Vishvanath Shastri, carved the icons of the temple. The highest shikhara of the temple above the sanctum sanctorum is about 160 feet high. The temple faces the east and is situated on a high plinth. The shrine is adorned with fresco paintings depicting his life and work. The icons of the temple are in marble brought from Jaipur. Kota stone from Makarana, Agra, Kota and Jaisalmer were used in the construction of the temple premises.The Geeta Bhawan to the north of the temple is dedicated to Lord Krishna. Artificial landscape and cascading waterfalls add to the beauty of the temple.

About Hanuman Temple

Hanuman Temple in Connaught Place, New Delhi, is an ancient (pracheen in Sanskrit) Hindu temple and is claimed to be one of the five temples of Mahabharata days in Delhi. The other four temples are the Kalkaji, a Kali temple in South Delhi containing Swayambu (Sanskrit: “self manifest”) rock Idol, the Yogmaya Temple near Qutub Minar, the Bhairav temple near the Purana Qila and the Nili Chatri Mahadev (Shiva temple) at Nigambodh Ghat outside the walls of Old Delhi.

The temple, which has a self manifest idol of Hanuman, has an unusual feature fixed in the spire (Viman) in the form of a crescent moon (an Islamic symbol) instead of the Hindu symbol of Aum or Sun that is commonly seen in most Hindu temples. This became particularly important during the Mughal period corroborating this extraordinary depiction.

The idol in the temple, devotionally worshipped as “Sri Hanuman Ji Maharaj” (Great Lord Hanuman), is that of Bala Hanuman namely, Hanuman as a child.

History

Historically, Delhi located on the banks of the Yamuna River has been stated to be the Indraprastha city built by Pandavas of the Mahabharata epic period. Pandavas ruled from Indraprastha and Kauravas from Hastinapur (two collateral families) as per a brokered partition of the Kuru empire. But, in a dice game, Pandavas lost their Kingdom and were exiled for a 12-year term and in the 13th year must remain in hiding (with a rider that if they were detected during this period they would undergo the exile denovo). Mythological legend states that during the Pandavas' exile (imposed by their cousin Duryodhana of the Kaurava dynasty), in order to subdue Bhima’s (second of the five Pandava brothers) arrogance, Hanuman considered to be the brother of Bhima (both Vayu's children, appeared in the forest disguised as a weak and aged monkey. Bhima, while in search of a fragrant flower sought by Draupadi in the forest, found Hanuman lying with his tail blocking his way and, unaware of Hanuman’s identity, scornfully asked him to remove his tail. But Hanuman told Bhima to lift the tail since being old he was unable to do it on his own. Bhima tried hard several times but failed to lift it, in spite of being a man of great strength. Bhima then realized that the monkey was none other his own brother, apologizes for his arrogant behavior and requests Hanuman to show him his true form. Hanuman was then said to have enlarged himself and showed Bhima the size in which he had crossed the sea to go to Lanka, looking for Sita during the Ramayana epic period. After the Pandavas won the Kurukshetra war against the Kauravas and re–established themselves in Indraprastha, the Pandava clan is stated to have built five temples of Hanuman and other deities.

It is believed that Tulsidas (1532–1623), who wrote Ramacharitamanas (popularly known as Tulsi Ramayan and penned the famous Hanuman Chalisa hymns in praise of Hanuman, visited this temple in Delhi. During his visit to Delhi, Tulsidas was summoned by the Mughal Emperor and asked to perform a miracle, which he did with the blessings of Lord Hanuman. The Emperor was pleased with Tulsidas and presented the Hanuman temple with an Islamic crescent Moon finial which adorns the temple spire. It is also claimed that because of the crescent moon symbol on the spire, the temple was not destroyed by the Muslim rulers who invaded India at various times.

Reportedly, it was built originally by Maharaja Man Singh I of Amber (1540–1614) during Emperor Akbar’s (1542-1605) reign. It was reconstructed by Maharaja Jai Singh (1688-1743) in 1724, around the same time as the Jantar Mantar. After that the temple has undergone many improvements making it a notable religious centre in the heart of Central Delhi.

An important feature of the worship at this temple is the 24–hour chanting of the mantra (hymn) "Sri Ram, Jai Ram, Jai Jai Ram", since August 1, 1964. It is claimed that this continuous chanting has been recorded in the Guinness Book of World Records.

Temple features

Entry to the temple is through the Baba Kharak Singh Marg (Road). The approach is through a set of marble steps from the road level leading into the main foyer of the temple through massive silver plated doors, which are engraved with scenes of the epic Ramayana story. The foyer is ventilated with clerestory windows that are adorned with paintings of Hanuman in the cardinal directions depicting his four aspects. Below each Hanuman painting, the full text of Tulsidas’s Sundar Kand is inscribed on the marble tablets affixed on the walls. The Sanctum Sanctorum, which houses the Hanuman idol, is on the north wall on the right side of the entry foyer (pictured), with the idol facing the southern direction in a small bas-relief carving (pictured). Images of Radha and Krishna, a central triumvirate of Rama, Lakshmana and Sita are also installed to the right of the Hanuman idol on the same wall.

As the idol of Hanuman faces the southern direction, devotees can discern only one eye of the idol. The idol depicts a Gada (mace or club) in the left hand with the right hand crossed across the chest showing veneration to the adjacent idol of lord Rama, Lakshmana and Sita. A tapering crown adorns the idol, which has a sacred thread on the right shoulder and is clad in a fashioned dhoti. The height of the temple is reported to be 108 ft (32.9 m).[8] The ceiling of the main mandap (hall or pavilion) depicts the epic story of Ramayana artistically painted. In recent years, the New Delhi Municipal Corporation (NDMC) has enhanced the religious character of the temple precincts by incorporating within the main complex a shrine to Shiva, Parvati and their children, of the same size as the adjoining main sanctum, another enclosure housing idols of Durga, Lakshmi Narayan and Ganesha and on the south in an annex the idol of goddess Santoshi Mata (the wish fulfilling goddess). The last named deity has created a cult culture among women with Friday worship that was propagated by the religious feature film Jai Santoshi Ma, since 1975.

About Akshardham (Gandhinagar)

Akshardham Gandhinagar is one of the largest temples in the Indian state of Gujarat. The temple complex combines devotions, art, architecture, education, exhibitions and research at one place which is spread in an area of 23 acres. The temple came to international attention when two heavily armed terrorists attacked it in September 2002. The complex is popular among tourists visiting Gujarat.

History

In this Akshardham, may one and all find inspiration to mould their lives and may their lives become divine. Such is my prayer to God.

Pramukh Swami Maharaj

Akshardham Gandhinagar is a predecessor to the Akshardham at Delhi, built by the same religious organisation, Bochasanwasi Akshar-Purushottam Swaminarayan Sanstha (BAPS) led by Pramukh Swami Maharaj. It was inaugurated on November 2, 1992, during the centenary celebrations of Yogiji Maharaj.

2002 attack

Two heavily armed attackers arrived at the Akshardham temple complex on September 24, 2002. They scaled the perimeter fence and opened fire. About 600 people were in the temple at the time. By the end of the attack, 30 persons were killed and more than 80 persons were wounded. Later National Security Guard (NSG) commandos intervened and killed both perpetrators to end the siege in an operation called Vajra Shakti by next day.

About Akshardham (Delhi)

Akshardham is a Hindu temple complex in Delhi, India. Also referred to as Delhi Akshardham or Swaminarayan Akshardham, the complex displays millennia of traditional Hindu and Indian culture, spirituality, and architecture. The building was inspired and developed by Pramukh Swami Maharaj, the spiritual head of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha, whose 3,000 volunteers helped 7,000 artisans construct Akshardham.

The temple, which attracts approximately 70 percent of all tourists who visit Delhi,[4][5] was officially opened on 6 November 2005. It sits near the banks of the Yamuna adjacent to the 2010 Commonwealth Games village in eastern New Delhi. The temple, at the center of the complex, was built according to the Vastu Shastra and Pancharatra Shastra. In addition to the large central temple crafted entirely of stone, the complex features exhibitions on incidents from the life of Swaminarayan and the history of India, an IMAX feature on the early life of Swaminarayan as the teenage yogi, Nilkanth, a musical fountain on the message of the Upanishads, and large landscaped gardens. The temple is named after a belief in Swaminarayan Hinduism.

Features

Monument

The main monument, at the center of the complex, is 141-foot (43 m) high, 316-foot (96 m) wide, and 356-foot (109 m) long, and is covered top to bottom with carved details of flora, fauna, dancers, musicians, and deities.

Designed in accordance with ancient Vedic text known as the Sthapatya Shastra, it features a blend of architectural styles from across India. It is constructed entirely from Rajasthani pink sandstone and Italian Carrara marble, and has no support from steel or concrete. The monument also consists of 234 ornately carved pillars, nine domes, and 20,000 murtis and statues of Hinduism's sadhus, devotees, and acharyas. The monument also features the Gajendra Pith at its base, a plinth paying tribute to the elephant for its importance in Hindu culture and India's history. It contains 148 scale sized elephants in total and weighs a total of 3000 tons.

Within the monument, under the central dome, lies a murti or statue of Swaminarayan which is 11-foot (3.4 m) high. The murti is surrounded by similar statues of the gurus of the sect. Each murti is made of paanch dhaatu or five metals in accordance to Hindu tradition. Also within the central monument lie the murtis of other Hindu deities, including Sita Ram, Radha Krishna, Shiv Parvati, and Lakshmi Narayan.

History and development

Planning

The building had been planned since 1968 as a vision of Yogiji Maharaj. Yogiji Maharaj, the spiritual head of the BAPS Swaminarayan Sanstha at the time, expressed his desire for wanting a grand temple built on the banks of the Yamuna river to two or three devotee families of Swaminarayan that resided in New Delhi at the time. Attempts were made to start the project, however little progress was made. In 1971, Yogiji Maharaj died.

In 1982, Pramukh Swami Maharaj, Yogiji Maharaj's successor as the spiritual head of BAPS, started to continue fulfilling the dream of his guru Yogiji Maharaj and prompted devotees to look into the possibility of building the temple in Delhi. A request for the plan was put forward to the Delhi Development Authority (DDA), and several different places were suggested, including Ghaziabad, Gurgaon, and Faridabad. Pramukh Swami Maharaj stood firm in following the wishes of Yogiji Maharaj to build a temple on the Yamuna.

In April 2000, after 18 years, the Delhi Development Authority offered 60 acres (240,000 m2) of land, and the Uttar Pradesh Government offered 30 acres (120,000 m2) for the project. Upon receiving the land, Pramukh Swami Maharaj performed puja on the site for success in the project. Construction on the temple began on 8 November 2000 and Akshardham was officially opened on 6 November 2005, with the building being completed in two days short of five years.

Development

A team of eight sadhus were assigned to oversee the Akshardham project. The majority of the team had gained experience from work on the Akshardham in Gandhinagar, Gujarat, Delhi Akshardham's sister complex. During development, Pramukh Swami Maharaj was consulted in many aspects of the monument's construction.

Around 1997 and 1998, the idea to start development on the temple, by beginning the stone carving, had been requested. However, this idea was denied by Pramukh Swami Maharaj who believed that the construction should only start after the land was acquired. The initial work done on the site was on the foundation. Due to the soft river bank, the site wasn't considered ideal for construction. As a result, a deep foundation was imperative. To construct a stable foundation, 15-foot (4.6 m) of rocks and sand were entwined with wire mesh and topped by five feet of concrete. Five million fired bricks raised the foundation another 21.5-foot (6.6 m). These bricks were then topped by three more feet of concrete to form the main support under the monument.

On 2 July 2001, the first sculpted stone was laid. The team of eight sadhus consisted of scholars in the field of the Pancharatra Shastra, a Hindu scripture on architecture and deity carving. The sadhus watched over stone work as well as the research on carvings on Indian craftsmanship from between eighth and twelfth century. This research was done at various sites such as Angkor Wat, as well as Jodhpur, Jagannath Puri, Konark, and other temples in South India.

Seven thousand carvers and three thousand volunteers were put to work for the construction Akshardham. With over 6,000 tons of pink sandstone coming from Rajasthan, workshop sites were set up around places within the state. Amongst the carvers were local farmers and fifteen hundred tribal women who had suffered from a drought and received economic gain due to this work. The initial stone cutting was done by machine, while the detailed carvings were done by hand. Every night, over one hundred trucks were sent to Akshardham, where four thousand workers and volunteers operated on the construction site.

About Bhoramdeo Temple

Bhoramdeo Temple (22.116N 81.148E) is a very old Hindu temple dedicated to Lord Shiva and is located at a distance of 18 km from Kawardha town in Kabirdham district in the Indian state of Chhattisgarh. This temple, scenically situated amidst mountain ranges, was built in the period of 7th to 11th century AD. The temples were built by King Ramchandra of the Nag Dynasty and have a special attraction for lovers of history and archaeology.

Amidst the picturesque surroundings of Maikal mountains and dense forests, the perfect blend of religious and erotic sculptures, the Bhoramdeo temple, is carved on the rocky stones in the Nagar style. The Shiva Linga in the temple is beautifully carved and the artistic appeal beckons the visitors. The Bhoramdeo temple has a resemblance with the Khajuraho temple, and that is why it is also called the Khajuraho of Chhattisgarh. In the backdrop of natural beauty, this temple is also unique for its architecture. Cunnigham had termed it as one of the most beautifully decorated temple seen by him.

The temple

The main temple here has two parts. One is known as Ishtika made temple and the other is completely stone-carved. The main Bhoramdeo temple is in front of a tranquil and cool lake. This medieval temple has been constructed upon a five feet high sprawling platform including a ‘Mandap’ (shelter) Antral (Passage) and ‘Garbha Grih’ (The main house of God). This east facing temple has three openings except in the west. In the 60 ft. x 40 ft. area of the temple the Mandap which is square shape having four pillars in the centre and the rest are in periphery, associated with high roofs. There is a half shelter also on every entrance. In the 9 x 9 sq. ft sized ‘Garbha Grih’ a Shiva Linga’ is situated. The top of Grabha Grih goes straight to the summit of the temple, known as the ”Kalash”. The east side Kalash is open in a circular form, probably to reduce the weight and maintain the balance of the structure. Near the entrance on the outer walls, the sculptures of Lord Vishnu and his other incarnations can be seen, besides those of Shiva, Ganesha etc. The rows of idols, starting from top to bottom, have sizes of one, one and half, and two feet height respectively. The bottom part of the temple has four structures to keep the main body of the temple intact braving adverse weather condition. There are only four joints, but no ‘kalash’ on the top of the same. The idols of elephants and lions are queued up on the top, giving the temple a decorative look. The main idols in the temple are those of Uma-Maheswar, Natraj, Narsimha, Vaman, Krishna, Surya, Kaal, Bhairava, Nritya Ganesh, Kartikeya, Tandul, Shivgang, Chamunda, Ambika, Sapta-Matrika and Laxmi-Narayan. The traces of ‘Ram-Katha’ are also engraved here in stones. Amidst a variety of idols the carnal sculptures of the temple are known worldwide for their exquisite carving in different erotic poses, obviously to reflect the lifestyle of those historic periods. In the north of the temple, there is a brick structured temple, which has got a superbly crafted series. On the North East and South portions of the ‘Garbha Grih’ the right angled projections add attraction to the site having big one in the middle and smaller ones on the outer side.

About Vishnupad Mandir

The Vishnupada Mandir is the 220 year old temple in Gaya, India. It is a Hindu temple, dedicated to Lord Vishnu.

This temple is located along the Falgu River, marked by a footprint of Lord Vishnu known as Dharmasila, incised into a block of basalt. The Bhumihar Brahmins have been the traditional priests at Vishnupad Mandir in Gaya as Gayawar Pandas and in the adjoining districts like Hazaribagh. Several legendary saints as Ramanujacharya, Madhvacharya, Sankaradeva and Chaitanya Mahaprabhu have visited this shrine.

History and location

The construction date of temple is unknown and it is believed that Rama along with Sita had visited this place. The present day structure was rebuilt by Devi Ahilya Bai Holkar, the ruler of Indore, in 1787, on the banks of the Falgu river. A flight of 1000 stone steps leads to the top of the Brahmajuni hill, 1 km southwest of the Vishnupad mandir. Visitors prefer to go to the top of Brahmajuni hill see magnificent view of temple from top. There are many small temples near this temple.

Once a demon known as Gayasura, did a heavy penance and sought a boon that whoever see him should attain salvation (Moksham). Since salvation is achieved through being righteous in one's lifetime, people started obtaining it easily. To prevent immoral people from attaining salvation Lord Vishnu asked Gayasura to go beneath the earth and did so by placing his right foot on asura's head. After pushing Gayasura below the surface of earth, Lord Vishnu's foot print remained on the surface that we see even today. The footprint consists of nine different symbols including Shankam, Chakram and Gadham. These are believed to be weapons of the lord. Gayasura now pushed into earth pleaded for food. Lord Vishnu gave him a boon that every day, someone will offer him food. Whoever does so, their souls will reach heaven. The day Gayasura doesn't get food, it is believed that he will come out. Every day, one or the other from different parts of India will pray for welfare of his departed and offer food, feeding Gayasura.

Architecture

This is believed that the temple was built with the footprints of Lord Vishnu in the centre.[8] In Hinduism, this footprint marks the act of Lord Vishnu subduing Gayasur by placing his foot on his chest. Inside the Vishnupad Mandir, the 40 cm long footprint of Lord Vishnu is imprinted in solid rock and surrounded by a silver plated basin. The height of this temple is 30 meter and it a has 8 rows of beautifully carved pillars which support the pavilion. The temple is built of large gray granite blocks jointed with iron clamps. The octagonal shrine faces east. Its pyramidal tower rises up a 100 feet. The tower has sloping sides with alternately indented and plain sections. The sections are set at an angle to create a series of peaks joined at the top. Within the temple stands the immortal banyan tree Akshayabat where the final rituals for the dead takes place.

About Viraat Ramayan Mandir

Viraat Ramayan Mandir is an upcoming Hindu temple complex that began construction in Kesaria, Bihar, India, in 2012 with an estimated budget of INR500 crore. When completed, it will be the largest religious monument in the world.[3] The Virat Ramayan Mandir will be almost double the height of the world famous 12th century Angkor Wat temple complex in Cambodia, which is 215 feet high. The temple will have a hall with a seating capacity of 20,000 people.

Planning

The temple is inspired from the Angkor Wat Temple in Cambodia and Rameshwaram and Minakashi Temples in India. The temple will comprise of 18 homes for various Hindu gods with focus on Lord Ram and Sita. The plan is spearheaded by Acharya Kishore Kunal.

Patna based, Mahavir Mandir Trust first proposed the project, under the name of Viraat Angkor Wat Ram Mandir in Hajipur, the twin city of Patna. But temple trust acquired 161 acres of land in East Champaran district and therefore the earlier site of Hajipur had been abandoned.

In August 2012, after the concern and sentiment of the Cambodia Government,[8] when Indian Government asked Mahavir Mandir Trust not to build the exact replica of Angkor Wat. The trust changed the name from Virat Angkor Wat Ram Temple to Virat Ramayan Mandir. On November 13, 2013, Bihar chief minister Nitish Kumar unveiled a model of the temple.

Location

It is located at a distance of 60 km from Vaishali and at a distance of 120 km from Patna, the capital of Bihar. Its exact location is at Janaki Nagar near Kesaria in North Bihar. It is spread over an area of 161 acres at Bahuara-Kathwalia villages on Kesariya-Chakia road in East Champaran district. It will be 2800 ft in length, 1400 ft in width and 405 ft in height.

About Patan Devi

Patan Devi also called Maa Patneshwari, is the oldest and one of the most sacred temples of Patna. It is regarded as one of the 51 Siddha Shakti Pithas in India. According to Puranic legends, the 'right thigh' of the corpse of Sati had fallen here when it was chopped off by Lord Vishnu with his 'Sudarshan Chakra'. The ancient temple, originally called Maa Sarvanand Kari Patneshwari, is believed to be the abode of the goddess Durga.

The name of the city Patna is widely believed to have been derived from the name of the Bari Patan Devi Temple. Some however doubt whether the name of Patna is derived from this temple. According to them the name is derived from patan which means a town and Patna was a big place of export and import.

History

According to the Hindu mythology, it is believed that the right thigh of Devi Sati fell in Magadh and it is said that the part of the body of Sati fell in both Maharajganj and Chowk areas in Old Patna city. At these places, the Badi Patan Devi temple and the Chhoti Patan Devi temple were built. According to the Tantra Charumani, the small images of the Bari Patan Devi Temple, Patna are the Goddess Mahakali, Mahalakshmi and Mahasaraswati. In Hindu mythology, these Goddesses protected Putraka, who was the founder of Pataliputra. A strange stone image has been found in a tank near the Bari Patan Devi Temple, Patna. That image has been kept in the eastern veranda of the main temple where this stone is being worshiped regularly.

Bari Patan Devi

The Bari Patan Devi Temple, Patna is facing the North, towards the Ganges river. The statues of the temple are all made up in black stone. At the entrance of the temple there is a portico of dimension 1.5' x 15'. After that there is a room of about 8' x 8' for gods namely, Mahakali (12"), Maha Lakshmi (6"), Maha Saraswati (12") and Bhairav (3").All the idols are kept on simhasans (thrones) of about 4 square in cross section and have a height of about 7 feet. First three goddesses are attired in sarees.

Devotees can go to the temple at any time of the day. The temple does not distinguish between any caste or creed and hence is open for all religions and castes. The temple remains open from morning 6 am to 10 pm. Tuesday is a special day for the devotees and a large number of worshipers visit the temple. Promises are being made before the Goddess and on the fulfillment of the wishes devotees offer gifts and sarees in the temple.

Chhoti Patan Devi

This temple is situated in the Chowk area of Patna City and once was considered as the main presiding deity of Patna. Over the years it has slipped to the second position of eminence, after the Bari Patan Devi temple, as city's presiding deity, with epithet 'Choti' (smaller) to the more popular one, the Bari (bigger) Patan Devi. But a historian called Buchanan was very specific in stating that it was this very temple (Choti Patendevi) which held the primary position as the city's presiding deity during 18th and early 19th century.

The present temple does not seem to be of any great antiquity. The images inside the temple, if Buchanan is to be believed, were installed by Man Singh, the famous general of the Mughal emperor Akbar. The temple, however, houses a host of intact and severed Brahmanical images, including, Ganesh, Vishnu and Surya. Beyond the temple, but within its precincts, lie in open fragments of door jumbs/lintels and yet other set of images. Of these, an impressive, but broken sun-image is the most prominent. According to many historians, it is very likely that some early medieval temple was built here sometime in 9th-11th Century A.D. and these fragmentary stray sculptural/structural relics are only its ruins. Probably, these were reinstalled in a new temple, built during the 16th-17th century by Man Singh. But authentic information on this count is woefully wanting.

About Thousand Pillar Temple

The Thousand Pillar Temple is a historic Hindu temple located in the town of Hanamakonda, Andhra Pradesh, India. It is dedicated to Lord Shiva, Lord Vishnu and Lord Surya.

History

The Thousand Pillar Temple is one of the very old temples of South India that was built by the kakatiyas. It stands out to be a masterpiece and achieved major heights in terms of architectural skills by the ancient kakathiya vishwakarma sthapathis. It is believed that the Thousand Pillar Temple was built by King Rudra Deva in 1163 AD. The Thousand Pillar Temple is a specimen of the Kakatiyan style of architecture of the 12th century.

It was destroyed by the Tughlaq dynasty during their invasion of South India. It comprises one temple and other building. There are one thousand pillars in the building and the temple, but no pillar obstructs a person in any point of the temple to see the god in the other temple.

The present day engineers have taken out all the pillars from the building. After they lifted all the pillars they encountered a huge mass of sand. It took nearly two weeks for them to take away all the sand. It was wet sand, because of a pipe connection from the nearby water body named Bhadrakali Cheruvu.

Temple architecture

The Thousand Pillar Temple with its ruins lies in the near the Hanamkonda-Warangal highway, about 150 kilometers from Hyderabad city. This temple is star-shaped with several shrines and lingams. There are three shrines inside the temple called the Trikutalayam. The three shrines of the Thousand Pillar Temple are dedicated to Lord Shiva, Lord Vishnu and Lord Surya. The Thousand Pillar Temple is surrounded by a big garden in which many small lingam shrines can be seen. There are 1,000 richly carved pillars and a Nandi bull in the temple. The Nandi bull was carved out of a black basalt monolith that has been highly polished.

The Thousand Pillar Temple is constructed on a platform that is raised to one metre height from the ground level. The temple is provided with a number of pillars which are intricately carved and adorned. Rock cut elephants and perforated screens in the temple are characteristic of the then prevailing dynasty. Many piligramages will be visiting and even film scenes are also picturised here.

About Draksharama

Draksharama is a temple in East Godavari District, Andhra Pradesh in South India. Draksharama temple is one of the Five Powerful temples of Lord shiva, known as Pancharama Kshetram

The Siva deity is known as Bhimesvara Swamy. The temple is situated on the eastern bank of Godavari River. The consort of Lord Bhimesvara is Manikyamba. According to local belief the Siva linga at the temple was installed and established by the god Surya. Maha Shivaratri, Devi Navaratrulu, Karthika Masam, and Dhanurmasam are the main festivals celebrated at this temple.

According to local legend, the temple was built by angels in one night. The construction of the perimeter wall could not be completed before sunrise and still stands incomplete. Several attempts have been made to construct the uncompleted part of the wall but all those efforts have failed with the constructed wall collapsing within a few months.

As per the Government of India, the temple construction was started in mid 800 AD and completed somewhere around the 11th century. The construction of the temple is a marvel, consisting of a two-staired mandapa and two walls, one inside of the other. The inner temple (Garbhaalaya) made it a very profound and cultural work of architecture in those times. Its architecture is still a library for students of architecture. The ventilation of the inner temple is impressive. The temple is always full of light and air with very good ventilation. The temple's two-stair mandapa is impressive, and the pillars in the temple are skillfully and delicately carved. Many Shasanas (Official & Historical Registry Chronicles) have been written on the stone walls of the temple from time to time, from legions of Chola & Sathavahanas to Vijayanagra & Reddy Kingdoms that ruled over centuries. The scripts are Dravidian, Tamil, Devanagri, and Telugu scripts in both Sanskrit and Telugu languages.

108 Shivite temples were built after 800 around this temple in a radius of 40 kilometers. Some purohits have this list.

The village is called Dakshina Kasi. The Siva Linga in this temple is said to be one large crystal which is 2.6 meters high. Shiva is accompanied by Dakshayani, who is the first wife of Shiva (also the daughter of Daksha, and therefore named Dakshayani). Manikyamba goddess, said to be one part of the 18 pieces of Sati Devi that fell here, is a Shakti Peetha. It has one of the world's longest siva linga.

The inner sanctorium has a pedestal built for the archakas to perform rituals. The inner sanctorium is very dark, so much that one cannot see without a some sort of light. Legends say that the inner walls of the temple were once filled with diamonds that provided the required light. When Aurangazeb invaded the temple to plunder the riches, all the diamonds turned to stones. Archakas show the walls adorned with diamond-shaped rocks as proof of this.

There is another small temple within the main temple. One legend says that as ages go by, the height of humans would reduce to such an extent that the current temple would become a huge gigantic structure, and hence another temple was built for the tiny people of the future. Another legend says that the tiny temple is for the tiny creatures that inhabit the land. And some say that it's the prototype of the temple.

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